Pulitzer Prize-winning writer and director David Mamet has, in his own words, gone from a Hollywood veteran to “the hermit of Santa Monica”. Celebrated for his plays American Buffalo, Glengarry Glen Ross, and Speed-the-Plow, Mamet has dedicated his formidable energy …
The hidden desire of Tennessee Williams
Loss, a part of life, is certainly a part of literature, but it is seldom its motive force. Chekhov’s The Cherry Orchard is not a drama of loss, but of wistfulness. Madame Ranevsky seems to mourn the imminent loss of …
How fear consumed American theatre
We all know our consciousness is corrupt, and a long life, examined, brings the burden of regret, shame, and indeed a horror at our own actions that, at times, becomes scarcely bearable.
The theatre, and tragedy particularly, offers a median …