Oblomov, I imagine, looks like that stonily stoned chap in František Kupka’s The Yellow Scale. It’s a striking painting, a riot of yellows, with Kupka — for this is a self-portrait — staring defiantly at you, propped up in …
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Oblomov, I imagine, looks like that stonily stoned chap in František Kupka’s The Yellow Scale. It’s a striking painting, a riot of yellows, with Kupka — for this is a self-portrait — staring defiantly at you, propped up in …